Quick Tips to Clean Up Your Boomy Sounding Mixes
You need to fix your home studio acoustic treatment
Among the most common challenges for home producers is how to get their mix sound clear without lots of boomy low end. It is often the result of an untreated room or poor monitoring. It may make you feel as if you lack the ability to achieve a recording that sounds great straight from your own home studio. The good news is there are several things that can help in cleaning up your mixes with no need to spend a lot of cash for your all new room treatment or gear.
When setting up your monitors, there is a chance you pulled these out from your wall then setup a speaker on both sides of the workspace. In general, this is a great recommendation as corners and walls can amplify those bass frequencies heard when you monitor, making you reach a bad decision in the mix according to poor monitoring conditions.
When there is no sub, you possibly don’t hear lots of lower frequencies in the mix. Pushing back the monitors against the wall can amplify lower frequencies to let you make the necessary adjustments. Of course, it is not the best solution but it helps you cut out most of the mud when inside the control room.
Sub Bass Frequencies
One thing you can do for cleaning up your mix is by applying a highpass filter on your master bus’s sub bass frequencies. It is anything lower than 50Hz. Highpass filter cuts all frequencies under 50Hz and eliminate the rumbling sound which can dominate the mix. When your mix is relying on sub frequencies, be careful in cutting most sub bass out of the mix or you can get a mix which sounds tiny and flat without any punch at all.
Use Subtractive EQ and Solo Tracks
Every time you EQ the tracks, it will help when you solo them before anything else. It helps lessen the distractions from the frequencies in the rest of the tracks and lets you achieve the best EQ on every individual track before you try to fit everything together.
After you soloed the track, determine those frequencies not likable to you and lessen the. The use of subtractive EQ as an alternative to boosting the rest of the frequencies lets you tweak only those frequencies you don’t like with no need to affect other areas of the spectrum.
The 200 to 400Hz range is probably among the most typical sources of mixes that sound muddy. You can use EQ for cutting frequencies about 200 to 400Hz on every individual track. The reason why this range tends to be troublesome is because most instruments have boom-y fullness attributed to the said frequencies and could compete in the mix.
The last but not the least, try listening to the mix on various speaker combinations and audio systems as much as possible. This is specifically true if your studio lacks the best spot for monitoring. Do it several times before you prepare the final mix for music mastering to determine how the mix sounds to your end listeners.